Friday Nite Spotlight: David Bowie - Low

bowie-low

In the mid ‘70s, a burnt-out and sick Iggy Pop lay on a hospital bed. He was exhausted by drugs, had just had a bout of homelessness in Hollywood, and every project he tried turned to dust. He had checked himself into a psychiatric institute when David Bowie came to see him.

Bowie was also suffering from his own rock-n-roll nightmare. Cocaine, booze and fame were wearing him down. Bowie paid all of Iggy’s hospital bills and they moved to Berlin in late 1976 to clean up together. Bowie produced two albums for the newly sober Iggy. They spent a lot of time nightclubbing in Berlin (supposedly Lou Reed also came along on these sober nightclub outings). Bowie was so tired of his fame that he toured anonymously with Iggy as the piano player.

Bowie was interested in Berlin not only because he would be less famous, but also because he wanted to work with German electronic bands like Neu and Kraftwerk. Kraftwerk said they were “too busy” and “didn’t really leave their studio in Dusseldorf” -- so they wouldn’t work with him. So Bowie teamed up with Brian Eno, a fellow Brit who’d been working with electronic sounds for quite some time.

Low shocked Bowie’s fans. It was far from pop, but Bowie’s fame withstood the change, and Sound and Vision hit the charts.

Previously, Bowie had built an image that was founded on different masks, different stage personas for each album. He was tired of that. So on Low, Bowie stripped away his characters, his identity was now up for interpretation. He was simply Low. Much of the record is deep and classical-sounding, almost abrasive at times, but not quite. Can you imagine what fans of Ziggy Stardust thought when they heard this?

Recently when I made a documentary on Bowie and Eno for our current KEXP Documentary series “Pop Goes Electronic,” I listened to all 3 albums where Bowie and Eno collaborated. They are called The Berlin Trilogy, and Low is stunning. It’s almost too much at times. It shakes you, but still there is this foundation to it, this underlying warmth. Low is the first of the three. Heroes and Lodger follow. And I highly recommend listening to the three in succession.

Listen to “Pop Goes Electronic”:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Join Michele Myers for Nite Life -- every Friday Night at 9pm. Fridays at midnight she does an album spotlight, playing 3 songs from an album and telling a story about it. She also produces KEXP Documentaries -- the current series features Kraftwerk, Donna Summer and Giorgio Moroder, and Tangerine Dream, among others

This entry was posted in Friday Nite Spotlight, KEXP, Nite Life and tagged . Bookmark the permalink. Post a comment or leave a trackback: Trackback URL.

5 Comments

  1. Posted February 4, 2009 at 7:15 pm | Permalink

    thank for this...
    i am continually drawn back to the spirit of this record, no matter what i’m listening to, eventually i come back to it, and see yet another side...The greatest records to me, (i.e. ‘astral weeks’), function also as mirrors of our lives...

  2. Josh
    Posted February 6, 2009 at 11:17 am | Permalink

    Good read. I love those 3 albums. Heroes being the hardest of the three to get into I still love side two very much. It’s a shame Bowie didn’t ask to do any albums with Neu, Harmonia or Cluster. Those would either be awesome or complete disaster.

  3. Posted February 6, 2009 at 11:31 am | Permalink

    Thanks Josh!

    Actually, Bowie did contact Michael Rother from Neu and they set up at time to work together. But then each of them got a call. Michael was told that Bowie changed his mind and would not be at the session. Bowie was told that Michael was no longer interested.

    It wasn’t until 10 years later that Michael was reading a magazine and Bowie mentioned in an article that he was disappointed that Michael Rother from Neu hadn’t wanted to work with him. Michael called Bowie and they supposedly laughed about it together, wondering who had made the calls. But it is no secret that Bowie’s label folks were against “all this electronic stuff” and did all they could to stop him from “ruining his career”.

    I wonder what those records would have sounded like with Michael at the synths.

    This story is on a really good DVD called “Under Review, The Berlin Trilogy”. I wish I had had time to include it in the documentary. So many stories, so little time...

  4. Josh
    Posted February 9, 2009 at 10:01 am | Permalink

    Thanks for the extra bit of information. I like the fact that you guys do mini documentaries.

  5. Posted February 25, 2009 at 10:07 am | Permalink

    David Bowie is a legend. He was so big when I was 11-15 years of age back in the early 80′s. He is still big to me now.

    Daniel.

Post a Comment

Your email is never published nor shared. Required fields are marked *

*
*

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

Donate Now!
where the music matters

The KEXP Blog

Sponsored By
Become a KEXP Sponsor!
  • KEXP Post Categories