Archive for November, 2007

Up & Coming on Audioasis: Benefit show with Whalebones & The Maldives

Friday, November 30th, 2007

audioasis_1207.jpg
poster by Matt Corey

This Saturday, Audioasis will be hosting its monthly benefit show at the High Dive in Fremont. The live broadcast begins at 6pm, with by a live performance at 6:30pm by Whalebones, whose make-up includes local singer/songwriter Amy Blashke (also known from Night Canopy).

whalebones.jpg

Whalebones - Don’t You Know (MP3) via Pitchfork

At 8:30 nine piece alt-country band The Maldives will be performing live, featuring members from other local favorites, like Tomo Nakayama of Grand Hallway and Seth Warren on Violin who in the past has recorded with 764-hero, to Suffering and the Hideous Thieves, Modest Mouse and Okkervil River.

maldives.jpg

The Maldives - Goodbye (MP3)

All proceeds head straight for this month’s charity, The Service Board.

The Service Board provides Seattle area high school-age youth with life changing experiences that build self-knowledge, skills, courage, and determination. TSB models the power of a supportive, intergenerational culture and serves youth in need with its caring community. For more information on The Service Board, please visit: www.theserviceboard.org

Rock n’ Roll Pest Control: The Air Is Ripe

Friday, November 30th, 2007

pris.jpg
PRIS live at Studio 7 on 5/16/07
photo by Allison Harger

There must be something in the early winter air, as a half-dozen or more Seattle powerpop bands are recording as I type. Off the top of my head, those either prepping for or doing some recording right now include Young Sportsmen, The Small Change, The Riffbrokers, Central Services, and Shake Some Action. That means you should hang onto any spare xmas cash you get until early 2008.

Speaking of The Small Change, if you have high tolerance for distorted audio, you can see some Small Change video footage on YouTube (from my own blog’s anniversary show back in June). But, why settle for distorted video when you can catch their manic and melodic live show on Saturday, December 1 at the Tractor Tavern with Massey Ferguson, whose online video is much more crisp and clear.

Another show coming up in the next few days worth your hard earned money is at the Crocodile on Tuesday, December 4. The group is called Kiss Her For The Kid, and I’m totally digging their latest release Prettier Than Me. It’s more retro indierock than powerpop, but I’ve never been a genre purist. I hear an unusual hodgepodge of The Go-Gos, The B-52s and Siouxsie and the Banshees mixed with more recent indierockers like Pretty Girls Make Graves.

I recently received the new EP from PRIS, which is essentially a one-man band in the studio - one Burke Thomas. The EP is the American release of a full-length album released in Japan by Powerpop Academy, and it’s a great slice of well-produced, radio-friendly powerpop. Even thought it’s apparently selling like hotcakes in Japan, the disc doesn’t seem to be getting much attention locally. I say buck that trend, kiddo. Go pick it up and tell your friends.

Gary Miller runs the Seattle Powerpop Blog, which focuses on all things powerpop in the Pacific Northwest. SPB features album reviews, recommended shows, videos, mp3s and more.

Three Imaginary Girls suggest: Getting out and about on Saturday night

Friday, November 30th, 2007

thermals1.jpg
The Thermals, Chop Suey 2/21/07
photo by Chona Kasinger

With the end of the year drawing near, touring season is coming to a close as well. There are few bands willing to hit the road when the roads are likely to be icy and most show-going folks find themselves hibernating. This makes this Saturday (December 1) an even more highly anticipated evening for great shows. We recommend you try to cram in as much as you can.

The Thermals / Arthur & Yu / Coconut Coolouts at Neumo’s
While we imaginary girls have seen our share of Thermals show, when we caught their last show in town at Chop Suey (after missing them the last couple times they visited), by the third song we vowed to never to miss another Thermals show opportunity. The concise pop-punk, exuberant lyrical delivery, and sweet hooks make each show a rollicking, sweaty, amazing time. We’re hoping/guessing that 2008 they’ll be devoting some serious time to working on their next album, so we may not see them out in the clubs for a while. This show is all-ages and there are two great openers to complete the night, so grab the Hutch while the Hutch is hot!

Think we’re making this Thermals enthusiasm up – or just basing it on bassist Kathy’s prowess and style? Look at the sweetness of the last stop in Vancouver earlier this year. Hutch and co. will surely deliver:

Throw Me The Statue at The Vera Project and The Crocodile
If you want to keep it on the high indie-rock quantity / low dough side, follow Throw Me The Statue as they celebrate their EP release with two stops in one day! First they’ll be taking the all-ages stage at The Vera Project with The Cops (who are also celebrating the release of their album), BOAT, The Quiet Ones, Baby Control, and Yes Oh Yes. It’s a full bill, but even with all that, TMTS are going to high step it over to the Croc to headline a FREE show with The Shaky Hands and Charlene. Yea, we’re not sure how all that goodness is going to fit in one night either.

Need an extra nudge to get you out and about? Check out this footage of Throw Me the Statue from REVERB fest back in October:

This is how we know,
three imaginary girls

High iPod rotation:
Blitzen Trapper
The Cops
Little Name

(Three Imaginary Girls is a Seattle-based website that showcases the great music of the Northwest and beyond to music lovers worldwide. We post a Settle live show calendar to help you fill your day-planner with loads of great shows, as well as record reviews, live show reviews, and an imagi-blog to entertain you throughout the day.)

Audioasis: Recommended Local Artists Show Calendar 11/30-12/6

Friday, November 30th, 2007

ghostmedia.jpg

How about an OVERflowing week of local goodies? Seattle music fans, Christmas has come early…

Friday Nov 30: The Cave Singers @ The Crocodile $10 & 9p
After creating enormous buzz here in their hometown, The Cave Singers took like nomads and trekked their folk sounds across the states for in-store appearances. Tonight they’ve returned, for a KEXP endorsed show at the Crocodile. Fleet Foxes and Port O’Brien are opening for this hell of a show.

Also Friday: Ghost Gallery Presents: Photography by Kazutaka Nomura @ Solo Bar FREE & 8p
Before heading to the Crocodile, why not head up the street to lower Queen Anne to peruse the latest showing featured by Ghost Gallery, photography by Kazutaka Nomura. You’ll probably recognize him more as the musician PWRFL Power, but he’s trying his hand as an artist. If you’ve seen Kaz around town, you’ll have probably noticed his camera in hand, meaning the resulting portfolio may include anything or anyone!

Saturday Dec 1st: The Thermals @ Neumo’s $12 & 8p & All-Ages
Portland post punkers The Thermals are back to entertain their northern neighbors. Come have fun singing along with the cute
three-piece. Besides, the show gets even better with Arthur and Yu and The Coconut Coolouts topping it off. For the latter, put on your banana suit and rock with your peel out.

Also Saturday: The Last Slice of Butter @ see band website Free (donation suggested) & 8p & All-Ages
Hungry for some underground punk instead? Look for this show in its hidden locale for Seattle duo the Last Slice of Butter, “crushing souls” with a bass and drum kit. They have had quite the busy year, with a new album and West coast tour. DIY favorites Talbot Tagora open.

Tuesday Dec 4th: Math and Physics Club @ Neumo’s $12 & 8p & All-Ages
You caught them live on-air a few weeks back here at KEXP, now see them live with Voxtrot and Tullycraft. Fulfill your indie pop sweet tooth with this show like sucrose for your ears.

Wednesday Dec 5th: U.S.E. @ Neumo’s FREE & 8p
U.S.E. practices the old adage, “Distance makes the heart grow fonder,” treating their fans to very few and far between shows these days. Their other projects have taken precedence, but they haven’t forgotten the parties they catalyze. And tonight’s at Neumo’s is free as well. Siberian and Kay Kay & His Weathered Underground will be opening; make it out early to not only beat the line, to also catch a local jam-packed night.

Thursday Dec 6th: Dolour @ the Crocodile $6 & 9p
Tonight, expanding from the typical visual displays hosted, Ghost Gallery will be mixing music and images together to celebrate the 1st anniversary of the art curator’s efforts. Dolour, Palmer AK, and the Ghost of Kyle Bradford, all local bands, will be bringing the art to your ears while for your eyes Seattle photography outlet Blush Photo showcase projected wintry photography behind them.

Audioasis presents PDXplore 11/30 @ Sunset Tavern

Friday, November 30th, 2007

Tonight at the Sunset Tavern, Audioasis is pleased to present PDXplore , our monthly Portland music showcase. This month catch Portlanders Southerly and Minmae .

Both bands are on independent Portland-based Greyday Records, a label that prides itself on exposing the actual music, not just a given genre, by carrying bands who are fundamentally different in sound.

Up first is rock pop band Southerly, whose frontman Krist Kreuger sings, writes, and composes all of the music. He is also a record label owner and recording engineer. Surely, this is convincing enough to find out what the music is about; I assure you it’s worth it.

Check out Greyday’s free Song a Week, featuring songs by Southerly, like this one:

Southerly - Youth (MP3)

minmae.jpg

Minmae is another band that has me quite excited about Portland’s music scene. They are a three piece whose music has a list of elements, they can be best explained as emotional psych-rock with a dash of experimental pop. You can hear the ideas flowing in the music as they are trying them, and they do a damn good job.

Minmae - Let My Friends In (MP3)

The show begins at 7pm, with a mere cost of $5. It is a great way to musically start off your Friday night!

Song of the Day: The Purrs - She’s Got Chemicals

Friday, November 30th, 2007

thepurrs1.jpg
photo from MySpace

Every Friday, we deliver a different song from a local performer as part our Song of the Day podcast subscription. Today’s featured selection, chosen by Afternoon Show host Kevin Cole, is She’s Got Chemicals by The Purrs from the self-released 2007 album The Chemistry That Keeps Us Together.

The Purrs - She’s Got Chemicals (MP3)

This local quartet features Jima (bass, lead vocals), Craig Keller (drums), Jason Milne (guitar/backing vocals), and Jason Atkin (guitar/backing vocals). Instead of catering to any genres of the moment, The Purrs create boozy rock ‘n’ roll in the fashion of the Velvet Underground and modern dark horses Black Rebel Motorcycle Club. The band uses perky guitars and jangly melodies as a facade for their brooding lyrics and plethora of drinking songs. Their song Loose Talk, off of their debut album The Dreams Our Stuff Is Made Of , was recently featured on the Showtime series Californication. On December 14 The Purrs are playing a very exciting show with Brent Amaker & the Rodeo at the High Dive. Check out their MySpace page for ways to get a hold of the album, and let this performance from last year’s Bumbershoot Festival grab a hold of you:

Live at KEXP Volume Three: The Long Winters - Pushover

Thursday, November 29th, 2007

v3_cover_340.jpg

Live at KEXP Volume Three is only available through the end of the year. Many listeners have claimed that one of the favorite songs from this compilation of live in-studio performances is Track #1 - The Long Winters‘ “Pushover.” Here’s what John Richards said about their live in-studio performance recorded on the Morning Show:

longwinters_v3.jpg“Whenever the Long Winters are in, as the person interviewing them you have to be READY for John Roderick. You could argue he’s not just one of the most talented artists around but also one of the most intelligent and quick-witted as well. That day was no exception, the band came in nice and early and had their best performance in-studio to date. So much so, after we got off the air they kept playing and we kept talking for almost an hour and we later podcast the whole thing.”

The podcast that John’s referring to is still available: download now!

Proceeds from Live at KEXP Volume Three go directly to KEXP programming, which means you can help support services like podcasting. Be sure to pick up a copy by ordering online or visiting any of these Seattle stores: Cellophane Square, Easy Street, Everyday Music, PCC Natural Markets, Silver Platters, and Sonic Boom Records.

Review Revue: Swans - Young God EP

Thursday, November 29th, 2007

swans1.jpg

Wow! If there’s anything that really gets the discussion going, it’s difficult, critically-acclaimed music. For any band that takes some digesting and is adored by artsy, critical types, there will always be legions of people who think it’s all a bunch of hype and those who think it’s good are just a bunch of poseurs (I’ve been on both sides of that divide with various artists, let me tell ya). I think there is probably no better illustration of this than the heated discussion on the front and back of SwansYoung God EP.

Led by Michael Gira (now known for his solo project Angels of Light and for bringing us Devendra Banhart, Akron/Family and other artists via his label Young God Records), Swans were notorious in the 80s for being one of the loudest, darkest, most challenging acts in rock - or any other medium, for that matter. Their album and song titles alone would probably be enough to convince most people of this fact, but legend has it that they often played their live shows at such painful volumes that audience members would vomit and/or the police would come to stop the show. If that’s not art, I don’t know what is.

This is a long one, so let’s get down to it! I apologize for the lack of order to these quotes, but it’s really hard to tell what order they might have been written in, who’s replying to whom, etc. Just roll with it.

“A new world vision. Organismusic, OK?”

“Just like Nissan.”

“‘Raping a Slave’ is fantastic - one of the most horrifying things I’ve ever heard - play it, but the end cuts cold.”

“Possibly the most awful listening experience available. Sorry. Ultra-yuk.”

This is shit!”

“Yes exactly.”

“AWESOME”

“It was great.”

“This record is ultra-good.”

“Please god, I just wanna be cool.”

“This was never meant to be ‘cool’ or anything and people who ‘like’ it because it’s ‘cool’ to do so are idiots. This is however some of the most powerfully gut-wrenching stuff (music, noise, whatever) ever recorded. Some people want their guts wrenched, some can’t handle it. I dig this - fuck you.”

“I don’t give shit for ‘cool.’ I don’t give shit for ‘good, great.’ I like this record. I like this band for my own reasons. Fuck everything else. OK?”

“(over)”

“Robt. Palmer of the NY Times wrote an article on Swans & Sonic Youth. He liked ‘em! So none of you are as cool as y’wanna believe. Drop dead.”

“Couldn’t'a said it better myself.”

“Whether you like it or not, this is not rock & roll.”

“Great R & R upsets parents and clears rooms. This is great R & R and you’re all fit to be listening to ‘gourmet rock’!”

[written over the preceding in bright red marker:] “AND THAT’S THAT?”

“It’s hard for the common to approach new ideas.”

“If only this record had any …”

“God’s gift to the music industry.”

“Ooooh! Video please! Again and again and again. Dead cats!”

“You know what? Michael Gira went out with Madonna, for a long time even (he’s the singer/founder), so he’s not even as cool as one would expect. THIS IS TRUE!” [Note: this is not true, as far as I can tell. I found this interview with Sonic Youth where the interviewer says it as a joke in response to Thurston Moore's claim that she went out with a friend of theirs for a while. When the interviewer says "Madonna went out with Michael Gira," Thurston says "Why Michael Gira? . . . You can't say Michael Gira, 'cause he'd be offended."]

“It’s a sad commentary on the music of today when pure shit like this gets hailed as the greatest ‘music’ of all time.”

“Doesn’t improve with age.”

“Why can’t we accept noise as noise and not some brilliant, ‘culturally right’ or relevant thing? Just admit you like or dislike it, because you like noise or don’t like noise.”

“You mean this isn’t Heavy Metal?”

[This comment scribbled out beyond recognition.]

“Eat c–t” [This will be the only place I exercise a little restraint, and hold back from printing everyone's words as written. Unlike the FCC, I'm not that concerned with F or S bombs, but this one is a bit much.]

“Blech” [Not sure if that's in response to the record, or the previous comment. If it's the latter, my sentiments exactly!]

“Well excuse me for being interested in something new and alternative.” [Wow, remember that word? "Alternative"? Those were the days . . .]

“A little musical exploration is really painless.” [Unless you were in the audience at some of those Swans shows, I'm guessing.]

“I’m playing this after ‘Blue Monday.’ So there!”

“This sucks! Period.”

“I [heart] this disc. Period.”

“One of the best rock & roll bands of all time. Almost as revolutionary as the Beatles or Elvis, even.”

“Wonder if it sounds better at 33?”

“This peice [sic] of garbage is a classic example of KCMU djs/programmers trying to outcool each other (at the listeners’ expense).”

And, on the reverse side, the discussion continues …

swans2.jpg

I can't think of a better last word than that, so don't read this sentence.

Live Review: The Scotland Yard Gospel Choir, TT the Bear’s Place, Cambridge 11/18

Thursday, November 29th, 2007

sygc1.jpg

review by Miriam Lamey
photos by Thana Taliep

It was a freezing Sunday night in Cambridge, MA. And the Patriots were playing. And The Scotland Yard Gospel Choir were slated to play at TT The Bear’s Place, the last stop on their East Coast Tour. The six-piece Chicago band numbered more than half the audience, but the band were so friendly and natural, it was like they were performing in someone’s living room, albeit a chilly one. “I’m not wearing this sweater and jacket to look cool,” singer Elia Einhorn announced, “It’s f-king freezing in here!” Despite the cold and the sparse but intrigued audience, ( a group that at one point went up to 20 spectators) this compelling, energetic band performed a brilliant set. It’s easy to write off Scotland Yard Gospel Choir as Belle and Sebastian sound-alikes, but really, they present a different, crunchier vibe and an exuberant, dry sense of humor that invades their indie-folk-pop music. Clearly, it’s even difficult to pigeonhole Scotland Yard Gospel Choir, and their wide-ranging set was clear proof of this.

sygc5.jpg

One of the best things about The Scotland Yard Gospel Choir’s performance had to be the fact they were just so relaxed onstage. It must have been discouraging to yet again play to a small crowd, especially since they’d played with a member of The Ramones the previous night in New York, but this didn’t stop them from putting amazing effort into each song. From the gorgeous, lilting “I Never Thought I Could Feel This Way For A Boy,” a naturally relaxed track, to the more punky Britpop of “Aspidistra,” each song resonated through the venue. Elia enjoyed chatting with the audience between tunes, throwing out comments concerning their present tour, and the belly dancers performing at the Middle East next door. The venue was so empty, he noticed Thana photographing the set. “Are you doing this for Youtube?” he asked. When she shook her head no, he called everyone up to the front, saying, “We need a good picture for the press, come on!” and had everyone pose for a dramatic shot.

sygc2.jpg

The band ran through an intense selection from their latest, self-titled release from Bloodshot. “Broken Front Teeth” sounded misty and introspective, with chillingly beautiful vocals and lyrics. The aching “In Hospital” seemed to capture a difficult experience, yet the band presented the track in a fairly matter-of-fact manner; they cleverly refrained from making the song seem dramatic and cheap. Then Scotland Yard Gospel Choir surprisingly changed up their style and pace with the raucous, almost angry “Tear Down The Opera House” sounding more like the Dropkick Murphys than the Beautiful South. Yet they really shoved the track in the faces of the audiences, blasting out fuzzy guitar chords, jumpy drums and cutting vocals. Somehow, they still seemed to present their “go-with-the-flow” persona and legitimately charming manner. Even though the audience was sparse, the band shone and, most importantly, let their personalities speak for themselves –- a vibe that extended through all their music. The Scotland Yard Gospel Choir are probably one of the most pleasantly honest bands you could hope to see live.

sygc3.jpg

sygc4.jpg

sygc6.jpg

Song of the Day: Scotland Yard Gospel Choir - I Never Thought I Could Feel This Way For A Boy

Thursday, November 29th, 2007


The Scotland Yard Gospel Choir Serenade Diners
photo by Selena Salfen

Every Monday through Friday, we deliver a different song as part our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Today’s featured selection, chosen by Afternoon Show host Kevin Cole, is I Never Thought I Could Feel This Way For A Boy by The Scotland Yard Gospel Choir from the self-titled 2007 album on Bloodshot Records.

The Scotland Yard Gospel Choir - I Never Thought I Could Feel This Way For A Boy (MP3)

The Scotland Yard Gospel Choir, neither Scottish nor religious, formed in Chicago in 2001 as a duo of Matt Kerstein and Welshman Elia Einhorn. Kerstein has since left the group to start Brighton, MA, but Einhorn is far from being alone. The new record features more than 15 supporting musicians, primarily underground Chicago scenesters, who help give life to Einhorn’s folk and chamber pop excursions. Belle & Sebastian comparisons have followed the collective since day one and they won’t stop here, as Kerstein was the primary engine for the band’s early punk numbers. Einhorn, meanwhile, is more interested in tales of sexual identity and addiction. The track featured here provides an obvious gender bender, infused with the dry humor of B&S, and reminiscent of the Smiths. Don’t let the comparisons fool you though; this mega-group has been hard at work in putting together brilliant pop songs with layer upon layer of inspired complexity. The ever-revolving collective will perform at the High Dive 12/7 and a live in-studio that same day at 3 pm. For other upcoming West Coast dates, see the band’s MySpace page. For some quality free entertainment, see this less than ideal audio clip of the band performing Then and Not a Moment Before:


“Alfred: (in regards to other side) Who ever [scribbled out word] (excuse me) performed the humorectomy on you didn’t finish the job. Because, while you can’t see the humor in what others say, do and write; others laugh at your exaggerated, dour passion …”

“Gee, sorry Dad …”

“‘This is Mine’ - gutwrenching, powerful, full of tension …”

“I love this record sooo much.”

“And I think I hate Michael Gira sooo much.” [These two comments appear to be by the same person.]

“Is this the only record up here that ever had an ‘over’ side? Basically, this is sexy. Music to sex by.”