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Out This Week 10/27

swell season

Musical duo The Swell Season, comprised of Frames frontman Glen Hansard and Czech pianist and singer Markéta Irglová, return with a followup to their multi-award winning soundtrack to Once. The pair just performed an exclusive live set for KEXP listeners last Thursday (you can still catch in on our Streaming Archive) but will be back again with a full band in November. Devendra Banhart also tops the list of new releases this week with his major label debut, What Will Be, and another musical duo, Tegan and Sara, are sure to land in KEXP listeners’ shopping carts. Heavy Trash, a projected co-helmed by Jon Spencer, not only have a new release this week but were live on air this morning (another reason to head over to our Streaming Archive). The Northwest represents with Portland’s Pink Martini and Seattle’s BOAT and Levi Fuller. Also recommended are the latest from Chuck Prophet, Fela Kuti, Bassnectar, and Echo & The Bunnymen, who just keep cranking out albums. And Wolfmother are back… with a new lineup but all the same rock! Check out more on Largehearted Boy’s list, but not before you sample this week’s goods:

Aarktica - Am I Demon? (Danzig cover)
from In Sea on Silber Records

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Song of the Day: Strawberry Whiplash - Picture Perfect

Every Monday through Friday, we deliver a different song as part our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Each and every Friday we offer songs by local artists. Today’s featured selection, chosen by Afternoon Show host Kevin Cole, is “Picture Perfect” by Strawberry Whiplash from the 2009 Picture Perfect EP on Matinee Records.

Strawberry Whiplash - Picture Perfect (MP3)

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Iceland Airwaves… a musical microcosm

Hyaltalin performing at RUV Radio photo by Scott Holpainen

Hyaltalin performing at RUV Radio
photo by Scott Holpainen

Just before the week-long CMJ broadcast, KEXP was invited to cover the Iceland Airwaves festival in Reykjavik, where over 215 artists, the majority from Iceland, performed at venues around the city.

Iceland itself is a microcosm of a music scene; in a city of only 200,000, comprising two-thirds of the country’s entire population — which is itself just over half of Seattle’s population — there’s an inordinate number of bands… and all of them are great! Perhaps it’s due to an educational system that values the arts and provides most students have some form of musical training, or maybe it’s the cold weather and short winter days, but nearly every young person we met during the festival seemed to be in a band. Sure, it does seem like that in Ballard on most days of the week, and Williamsburg definitely has a high residency of musicians, but it’s hard to image a larger concentration of talent than in Reykjavik. And thanks to both the small location and the lingering punk aesthetic that demands that art always be new, the range of genres, styles and sounds is far more diverse than in much more dense populations. In other words, not everyone in Iceland wants to be Bjork or Sigur Ros. In fact, no one does!

As proof of Iceland’s wide range of fantastic music, we’ll be featuring videos of band performing in-studio, at venues, and even in their living rooms here on the KEXP Blog over the next couple of weeks. As part of our experience there, we broadcast six local bands the the national statjion, RUV Radio, four of which you can listen to and watch right now. Here’s Hjaltalín, FM Belfast, For A Minor Reflection, and Hafdis Huld, all about as different from each other, but whether it’s pop, orchestral-, post-, or electronic rock, it’s invariably great.


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Monday News Mash-Up

Morrissey

  • Morrissey is currently recovering from a collapse on stage Saturday night. The former frontman of The Smiths and long-time solo performer has been touring his new b-side compilation, Swords, and was carried offstage at the Oasis Leisure Centre in Swindon after appearing visibly ill. Shortly afterward, Morrissey was admitted to the Great Western Hospital as a precautionary measure and has since been released after he was determined to be in stable condition. Check for further updates and rescheduled tour dates on his website.
  • Kemado, most likely known to the indie set as the label that has wrought Dungen, has unveiled a brick and mortar record (and we mean album as in record) store in NYC named Co-Op 87. Also in on the venture are NYC-based small labels as well as sister label Mexican Summer. The store has its own built-in analog studio, which was utilized this week to record what can only be called in-stores that will become singles sold via Co-Op 87 as early as December.
  • 40+ years after those first releases, Michael Yonkers has finally emerged as a unique, if lately discovered, voice of the 60s folks scene. De Stijl, which has reissued a handful of Yonkers’ old material, is up to its plucky tricks again as the self-titled Michael & the Mumbles descends November 3rd.

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Song of the Day: Forro In The Dark - Perro Loco

Forro in the Dark

Every Monday through Friday, we deliver a different song as part our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Each and every Friday we offer songs by local artists. Today’s featured selection, chosen by Afternoon Show host Kevin Cole, is “Perro Loco” by Forro in the Dark from the group’s 2009 album Light A Candle on Nat Geo Music.

Forro In The Dark - Perro Loco (MP3)

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Live Review: Grizzly Bear at Moore Theatre 10/16

photos and review by Benjamin Mobley

It was a dark, stormy Seattle night outside as eager concertgoers waited for Grizzly Bear, an all-male chamber-pop quartet, to take the stage of the Moore Theatre on Friday, October 16th, in support of their latest release, Veckatimest. For a lush and complex album mostly recorded in the intimacy of a Cape Cod cottage, the cuts from Veckatimest made a seemingly effortless transition to the live setting due largely to the varied musical talents of multi-instrumentalists Chris Taylor, Ed Droste, Dan Rossen, and Chris Bear.

“In the end, you’ll never find me now.”

The opening song, the jazz-tinged “Southern Point,” is a perfect example of Grizzly Bear at their finest — soaring multi-layered vocal lines laid over intricate guitar work that is ultimately nuanced by Chris Taylor’s magical textures and Chris Bear’s masterful percussion. The framework for the evening had been laid down in just a few minute’s time and, if the opening was to be any indication, the Brooklyn-based foursome were going to deliver a beautiful, haunting, raucous, and colorfully wild ride to the finish.

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KEXP at CMJ 2009, Day 5: The Moondoggies

Rising out of a city racked with strip malls and commercial real estate are Everett, Washington’s The Moondoggies, an unlikely diamond in the rough found in the suburban landscape. Bandmates Kevin Murphy, Robert Terreberry, Carl Dahlen, and Caleb Quick have been playing together since they were teenagers and now, while barely yet in their mid-twenties, play soulful rock fronted by Murphy’s lyrics. Their album Don’t Be a Stranger, from Seattle’s Hardly Art, has been getting regular airplay on KEXP since its release and is now earning approving nods from such heavyweights as Rolling Stone — and it’s only their debut!

Easily categorized as “Americana,” The Moondoggies marry alt-country with 1970’s folk, but Quick’s twinkling keyboard brings the band immediately into the 21st century. The Moondoggies will bring their rootsy Northwest stylings to CMJ for the Brooklyn Vegan party at Pianos tomorrow and then at Mercury Lounge that night. Back in Seattle, they’ll be at the Showbox on November 28 with Jesses Sykes and the Sweethereafter and Star Anna.

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KEXP at CMJ 2009, Day 5: Choir of Young Believers

All the way from Copenhagen, Denmark, Choir of Young Believers are exactly what you need this time of the year. Mostly the work of Jannis Noya Makrigiannis, the gentle acoustic melodies and deeply textured beats are perfect Autumn listening as far as we’re concerned. Showing a nice variety in their music, the songs on Choir of Young Believers’ debut, This Is for the White in Your Eyes, are a healthy mix of folk, pop, and Nordic cool. It’s also been said you never quite know what you’re going to get at one of their live shows, a performance could include anywhere from two to seven people on stage at any time. Another testament to the constantly evolving nature of Jannis and his music. Jannis’s beautiful voice is sure to raise a few eyebrows on it’s own merit, even more so with all the Robin Pecknold comparisons being bounced around. It’s no wonder the band recently won The Danish Grammy for “Best New Act”. Give these guys a listen.

The band is currently on tour playing multiple shows in NY for CMJ before finishing in Chicago. You can find out more about the band on their MySpace page.

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KEXP at CMJ 2009, Day 5: Alec Ounsworth

Today is acoustic day at The Cutting Room Studios NYC. You may know Alec Ounsworth from his other band, Clap Your Hands Say Yeah, or his side moniker Flashy Python. The Philadelphia singer/songwriter is finally venturing out on his own name with his solo debut album Mo Beauty. We think Alec has been “solo” for quite a while now, but that’s a whole different discussion. The new album was recorded entirely in New Orleans and includes some obvious references to the city in songs like “Holy, Holy, Holy Moses (Song for New Orleans).” Even though the album wasn’t specifically written about the city (other than the tribute song), it certainly carries its flavor throughout. The whole concept came together during an artists retreat meant to encourage musicians to work in the Big Easy. The album was produced by fellow Philadelphian Steve Berlin (Los Lobos, John Lee Hooker, The Replacements), who had the initial idea to record in New Orleans. The concept works well and he was able to harness the energy of some great local musicians in the process. Between all his other projects, 2009 has been a busy year for Mr Ounsworth. Mo Beauty just might sum things up perfectly.

You can find Alec on MySpace or at his home on Anti- Records.

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Three Imaginary Girls is seeing all kinds of film goodness this weekend

Although October is mainly horror flick month for me, I do occasionally branch out and see, you know, other types of film. This weekend, there’s tons of good stuff to choose from.

Over at the Northwest Film Forum, they’re showing the live REM concert film This is Not a Show, a compilation of concert and backstage footage from July 2007 over 5 nights. Amping up the anticipation is the fact that at that time, they were testing new songs from 2008’s Accelerate on packed houses of tried-and-true fans. YIKES. Sounds terrifying, and interesting — and I’m not even an REM fangirl (although I will probably never forget “Everybody Hurts” because Brenda played it on 90210 like 10x per episode after Dylan dumped her, but um. I guess that’s my problem).

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