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Nostalgia is nice, imaginary memories are better: TIG recommends upcoming (or extremely recent) releases.

I’m not sure what triggers other people’s memories, but mine are strongly linked to my olfactory glands. And songs. What with all the damp green of November in Seattle, it’s been easy to get stuck in a rut of listening to the albums that I attached to this time last year. It’s all well and good, sinking into this semi-induced, semi-unavoidable reverie but it’s really not helping my inclination towards seasonal depression. So I’ve started attaching new songs to the new moments of my new year in Seattle.

When this posts, it will be two days from my yearlong anniversary living in the emerald city. One year later and I’m just as unemployed as when I first moved here and I’m still living with a stranger, except now they sublet from me. Reflecting on this, I’ve allowed myself an indulgent amount of time to dust off the first albums I bought when I moved. However, I realized, being bombarded with the scents of leaf-plastered sidewalks makes it the perfect time to create some new memories in this city I now call home. Here are some upcoming releases that enhance the magnitude of sitting on a park bench in a dense fog or perfectly accompany puzzle time in front of the fireplace.

Capgun Coup - Maudlin
Out on the 3rd on Team Love, the whole album was recorded live in Omaha’s Hotel Frank to capture the feel of their performances. Sometimes droning or folky, sometimes youthfully aggressive, their album is an amalgam of widely ranging songs — the ideal playlist for too many days spent indoors. Cure/encourage your cabin fever with some whiskey and “Ari Are We” off Capgun Coup’s sophomore album.

Lissie - Why You Running
This is an album for those of us who haven’t found anyone to shack up with on the cold nights to come. A haunting heartbreak that is subtly powerful and empowering, the five songs on this EP feature Lissie Maurus’ vocals teetering between the blue soulfulness of her hometown by the mighty Mississippi and the playfulness of her brief stint living in L.A. Throughout the album breathy moans and sustained warbles stand against the bleak backgrounds of woeful slide guitar and echoing handclaps. I dedicate the cover of Hank Williams’ “Wedding Bells” to my sister.

Papercuts - “White Are the Waves” 7″ single
A new song by fuzz loving Jason Quever graces us November 10th. With reverb-ridden bass drum, you can almost hear Quevers dreamy voice lulling and charming the heavy percussion with its sweet melody. The B-side features a Neighbors (Vetiver’s Andy Cabic and producer Thom Monahan) remix of “A Dictators Lament” that isn’t what you may expect. Highlighting the symbol crashes and cleaning them up, the organ that dominates this song off You Can Have What You Want is subsumed by a dancey back beat. This is a release to play in your car when driving to the corner store for beer because it’s too cold to walk the two blocks.

David Bazan - “HAPPY XMAS (War is Over)” (Saturday, November 7 at Neumos)
I’m sure by now we’ve all heard David Bazan’s impressive new record or maybe you own one of the other five installments of his Christmas series. I feel like I don’t have to hype how good this year’s issue, with covers of John and Yoko’s “Happy Xmas (War is Over)” and Wayne Coyne’s “Say It Isn’t Greensleeves (A Change At Christmas),” will be. Pertinent to atheists who still like presents and God-lovers alike, this limited release of 1,000 copies in blue w/ white haze (200 copies), gold (400copies) and clear (400 copies) vinyl came out on November 3rd. Hurry to get your copy if you’re one of those people who counts down the days between Halloween and Christ’s birthday.

Tape Deck Mountain - Ghost
This, the San Franciscan’s debut LP, comes out on November 17th bringing with it a handful of songs at once sweet, dark, and shoegazey. From song to song they switch from the lo-fi sounds of a Mount Eerie album and the sweeping high production of one of their cited influences, The Smashing Pumpkins. As heavy and hazey as My Bloody Valentine, I recommend “80/20″ as a song that is every bit as dense as the air inside a bus whose windows are covered in condensation.

See you in your raincoat,
Chelsea Werner

*Three Imaginary Girls*

In high ipod rotation:
Nirvana
The Fresh and Onlys
Capgun Coup

Three Imaginary Girls is a Seattle-based website that showcases the great music of the Northwest and beyond to music lovers worldwide. We post a Seattle live show calendar to help you fill your day-planner with loads of great shows, as well as record reviews, live show reviews, and an imagi-blog to entertain you throughout the day.)

Posted in Local Music, Three Imaginary Girls | 1 Comment

Agitated Atmosphere: On Fillmore - Extended Vacation

As major labels continue to exist behind the times, artists and labels with little capital and lesser reputations are producing some of the most innovative, interesting, and inspiring music. Whether it’s creating a new niche in digital technology or looking to once obsolete formats, Agitated Atmosphere hopes to shed a bit of light and share a bit of information on the up and coming sounds of artists such as On Fillmore

It reckons your eyes have met this particular entry because you caught a fleeting glimpse of the name Glenn Kotche and your Wilco radar began to pulsate with expectant glee. Indeed, the multitasking percussionist is one half of the duo known as On Fillmore, but more importantly for fans of Kotche’s pop-oriented work, Extended Vacation will provide an introduction to Kotche’s true avant callings as well as his On Fillmore compadre, Darin Gray.

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Song of the Day: Grand Hallway - Raindrops

photo by Kyle Johnson

Every Monday through Friday, we deliver a different song as part our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Each and every Friday we offer songs by local artists. Today’s featured selection, chosen by Morning Show Host John Richards, is “Raindrops” by Grand Hallway from their self-release album Promenade.

Grand Hallway - Raindrops (mp3)

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Live Review: …And You Will Know us by the Trail of Dead, Future of the Left 10/13

Photobucket

review and photos by Carrie Rubens

It is a rare occasion that an opening band ever trumps the excitement for the headliner, but the situation came gravely close one Tuesday night at Neumo’s when Future of the Left played with …And You Will Know us by the Trail of Dead.

The evening kicked off with Seattle’s very own, Born Anchors. Gregory Scott’s guitar-playing has a quality similar to the post-hardcore stylings of fellow Seattle band, These Arms are Snakes. And given Jason Parker’s wailing/singing tones, their sound is even reminiscent of Queens of the Stone Age. Despite the thin crowd, they rocked it and seemed to put in their all. If nothing else, Justin Martinez, on drums, just kept smiling throughout the set.

The crowd quickly multiplied by the time Future of the Left took the stage. Some might remember Jack William Egglestone and Andrew Falkous from the mid-nineties Welsh group, Mclusky. After an unexplained breakup from the group, the two joined forces with bass player, Kelson Mathias of Jarcrew, and formed Future of the Left.

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Review Revue: A.C. Temple - Songs of Praise

A.C. Temple

Usually it’s not hard for me to find music somewhere online by the bands covered here in Review Revue, no matter how obscure. If I’ve never heard them before, it helps give me some context, and if I have, it’s a good refresher. A.C. Temple, however, is proving tricky. Aside from the odd (very odd) YouTube video, there’s really not much out there to listen to, at least from the era of Songs of Praise, their first album. Suffice it to say they were a band for six years, put out four albums, and went through drummers, guitarists and bassists like Kleenex. From the KCMU side, this is an interesting one in that most of the reviews are negative/dismissive, yet the album seems to have made it at least up to Medium rotation. Somebody was digging it (K.F.?), I’m just not sure who.

“Strongly influenced by Sonic Youth but, it pales in comparison to SY’s finer moments. This has some good ideas, but the songs drag on and the production gives the record a one-dimensional feel.”

“Up to M. For starters.”

“You’re right homeboy!”

“This is very weak and dull to boot.”

“Would you rather boot something sharp, like a razor or a pencil?”

“Your head.”

“‘There’s a syndrome going around here.’”

“Mind you don’t fall into it.”

“This is really excellent! Very loud, rich & intense. A beautiful discordance.”

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KEXP Documentaries – Fandango

Son de Madera

When you enter the room, it’s filled with people of all ages strumming away on guitars. In the middle of the group is a raised wooden box, used as a sort of stage, filled with dancers. They’re drumming with their feet while they dance. The energy of the room is intoxicating. And you’re immediately drawn in.

Fandango is a musical event that has no audience, only participants. Young and old who have never played this music (called son jarocho) are being taught by the more experienced musicians and dancers.

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Thursday News Threads

  • On Halloween, Ted Leo and some of his buddies got on a Philadelphia stage as “TV Casualty.” Then, they proceeded to play two entire sets of music written and performed by the band Misfits! It’s a pretty faithful effort, too, and very enjoyable. And it’s all on YouTube. Check out Part 1 below, then watch parts 2, 4, 5, and 6. Don’t ask about 3.

  • As mentioned Monday on this here KEXP blog, The Pixies will be playing on Conan tomorrow. What wasn’t known is that they’ll be breaking out the classic “Here Comes Your Man,” which is kind of exciting to this guy, at the very least.

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Song of the Day: The Heavy - How You Like Me Now?

photo by Dave Lichterman

photo by Dave Lichterman

Every Monday through Friday, we deliver a different song as part of our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs and recordings from independent artists that our DJs think you should hear. Each and every Friday we offer songs by local artists. Today’s featured selection, chosen by Morning Show host John Richards, is “How You Like Me Now?” by The Heavy from their 2009 album The House That Dirt Built on Counter Records.

The Heavy - How You Like Me Now? (MP3)

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The Feelies return!

by Kevin Cole

To paraphrase the band Pavement, bands are reuniting each and every day… (Hey, even the band I just paraphrased!) But one of the reunions I’ve been most excited about is seeing New Jersey legends The Feelies back together.

Taking their name from Aldous Huxley’s novel Brave New World, The Feelies did indeed enter the new world of the post-punk New York music scene, standing out with their frenetic, jangly sound, and getting named “The Best Underground Band in New York” by the Village Voice back in 1978.

Sadly, they fell apart in the early 90’s, but fans rejoiced when The Feelies took the stage again after seventeen years on Fourth of July 2008, and the fireworks haven’t stopped as they’ve continued to play shows around the New York area since then, including an appearance at last month’s All Tomorrow’s Parties festival where they performed their 1980 debut album Crazy Rhythms in its entirety.

And this week on the Afternoon Show, I’ll be giving away copies of that album, along with their second album, The Good Earth! Both releases were re-issued by the label Bar/None Records last month, after being out-of-print for over a decade. Winners will also receive a re-pressing of their debut 7″ single “Fa-Ce-La,” originally released in 1979.

Tune in weekdays from 2-6 PM.

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Live Video: Choir of Young Believers at CMJ

photo by Gabi Porter

photo by Gabi Porter

While all of the 15 bands performing during KEXP’s broadcast from Cutting Room Studios NYC during CMJ were great in their individual ways, the one that seemed to catch our listeners off guard with its stunning beauty and intensity was Choir of Young Believers. Morning Show host John Richards wrote all about it for NPR Music:

For the fifth day of KEXP’s remote CMJ broadcast from Cutting Room Studios in New York City, we moved over from their main studio to the smaller, more intimate “Studio B” to record the final three of the week’s 15 sessions. When you’ve been gone so long in a remote setting, have already seen a dozen bands, and are winding down on the last day, you’re just hoping for a quiet end to the week. But then we met Jannis Noya Makrigiannis and Caecilie Trier from Choir of Young Believers.

I wasn’t sure how many people were in this “choir,” or even how the many voices on the album would translate to live radio, but I was pretty sure that more than two were required — even though that’s about all that would fit in this space anyway. As the duo warmed up on cello, guitar and two mics, I could already tell that something special was about to happen. But nothing prepared me for the four songs they would perform live on KEXP.

more…

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