Music That Matters: 2017 Sasquatch! Music Festival Preview

Check out some of the KEXP DJ’s favorite artists from the Pacific Northwest and around the world on-the-go. KEXP’s Music That Matters weekly podcast brings you an exclusive mix of new music from the world’s best independent artists.

photo by Matthew B. Thompson

Currently you’ll hear:

Music That Matters, Vol. 565 – 2017 Sasquatch! Music Festival Preview

Troy Nelson gets you primed for a killer Memorial Day weekend in the Gorge with a preview of this year’s Sasquatch! Music Festival, featuring high energy rock, scuzzy punk, rootsy folk rock, and hard-hitting hip hop.

Tracklist:
1. Sleigh Bells – Rule Number One
2. Jagwar Ma – O B 1
3. The Radio Dept. – Committed to the Cause
4. SISTERS – Trails
5. Manatee Commune – What We’ve Got
6. Aesop Rock – Rings
7. Charles Bradley – Change for the World
8. Courtney Marie Andrews – Irene
9. American Football – I’ve Been Lost for so Long
10. Thee Oh Sees – Plastic Plant

Listen here: (MP3)

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Friday Music News

photo by Matthew B. Thompson (view set)

  • Local Natives have released a new single with the help of Nico Segal, a.k.a. Donnie Trumpet, from Chance the Rapper associates The Social Experiment. Entitled “The Only Heirs”, it follows the previously released track “I Saw You Close Your Eyes”, which (rather creepily) forced listeners to physically close their eyes in front of a webcam before listening when on the website. “I Saw You Close Your Eyes”/”The Only Heirs” will be released as a digital single and limited edition 7-inch via Local Natives’ webstore. No word on a new full-length, as the band is still touring behind their previous effort, Sunlit Youth. Unfortunately, Seattle is not one of the upcoming stops [ Consequence of Sound ]

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DJ Sharlese’s Favorite Soundgarden Songs

photo by Matthew B. Thompson

Every Saturday night, Audioasis host DJ Sharlese showcases exclusively local music on KEXP from 6-9 p.m. With the heartbreaking news of Chris Cornell’s death comes a blow to the local music scene. It’s something Sharlese knows well both as an expert on Seattle music and as a fan.

“I think the Seattle music community is so influenced by Soundgarden,” she reflected in our Facebook Live video earlier today. “Myself, I graduated in 1996 and I just remember hearing so much Soundgarden on the radio… and really being influenced by Seattle music — not even realizing that I would be here today and this has happened and that I get to play so much Soundgarden on the radio this weekend. This is something that really, truly affects me personally. It’s such a timestamp of my life.”

As we continue to remember Cornell, we’ve asked Sharlese to share her favorite Soundgarden songs (with a bonus Temple of the Dog thrown in, too). Check them out below and share your favorite Cornell tracks in the comments.

If you, or someone you know, are in need of someone to talk to, please contact the National Suicide Prevention Lifeline at 1-800-273-TALK (8255). You are not alone.
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SIFF Face the Music 2017 Preview: Give Me Future

Give Me Future

Give Me Future
(Directed by Austin Peters, 2017, 85 minutes)

Festival Screenings:
Friday, May 19 at 8:30PM – SIFF Cinema Uptown
Saturday, May 20 at 3:30PM – Majestic Bay
Friday, June 2 at 9:00PM – Ark Lodge Cinemas
[Director Austin Peters scheduled to attend this weekend’s screenings]

Remember how long you waited for that one band to come to town, how vigilantly you scanned the listings, praying for a new album, a West Coast tour, for the singer to stop screwing around with solo projects. It always felt like a lifetime, but it never was.

If you can’t recall the feeling, go see Give Me Future, a documentary about Major Lazer‘s historic concert in Cuba in 2016, showing this weekend at SIFF Cinema Uptown and Majestic Bay as part of the Seattle International Film Festival (SIFF). The fans at that show really did have to wait a lifetime to see the globetrotting dancehall-electro party starters play their country–it wasn’t until 2015 that the U.S. and Cuba resumed diplomatic relations, opening up the possibility for bands to visit–and you can see that air of anticipation on screen.

Give Me Future is simultaneously a reminder of that sense of excitement, a light shined on Cuba’s vibrant DIY community, and a celebration of youth culture that so often spawns the next big thing in music. Even more, you don’t have to be a fan of Major Lazer to appreciate the film; it’s a just a good story. Director Austin Peters, who will be at both screenings this weekend, backs up the film’s themes with compelling characters, carefully selected sound bytes, and a mostly well-paced plot.
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Song of the Day: Eyelids – Falling Eyes

photo by Alan Lawrence

Every Monday through Friday, we deliver a different song as part of our Song of the day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJ’s think you should hear. Today’s song, featured on the Morning Show with John Richards, is “Falling Eyes” by Portland band Eyelids, from their new album, Or, out now on Jealous Butcher Records.

Eyelids – Falling Eyes (MP3) Read More »

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KEXP Presents Six Degrees of Chris Cornell

sixdegrees_chris_blog

In light of the tragic passing of Chris Cornell (Soundgarden, Audioslave, Temple of the Dog), KEXP has decided to dedicate an additional 12 hours of programming to celebrate the life and music of Chris Cornell. Six Degrees of Chris Cornell will place Cornell’s music within a larger musical context, exploring his connections in the Seattle music scene, as well as his greater national significance as an essential voice of rock music.

Six Degrees of Chris Cornell

Friday, May 19th. 6AM to 6PM PST.

Starting at 6AM PST, Morning Show DJ John Richards will play a track which features Chris Cornell. The next track played on air will connect somehow to Cornell. Each additional track will relate in some way to the track played before, creating a circle of interconnected music, all centered around the late Mr. Cornell.

Please join us as we celebrate this indelible artist, whose singular presence will be greatly missed at KEXP.

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Thursday Music News

photo by Matthew B. Thompson (view set)

 

  •  As previously reported, Chris Cornell of the legendary band Soundgarden has passed away. We now have footage of the very last song Soundgarden played before Cornell’s death last night in Detroit. “Slaves and Bulldozers” was a deep cut from the album Badmotorfinger and is an interesting choice in light of Cornell’s death because its lyrics reference death. They also merged the song with Led Zeppelin’s “In My Time of Dying” which makes their last performance a poetically dark one. [ Stereogum, update: Stereogum ]

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Northwest Artists React on Social Media to Chris Cornell’s Death

photo by Dave Lichterman (view set)

Since news came out this morning of Chris Cornell‘s death, the world has been reeling. As the lead vocalist of Soundgarden, Temple of the Dog, and Audioslave, Cornell’s powerful voice and presence had a profound impact on the Pacific Northwest. Throughout the day, local artists have been sharing their condolences and memories. The responses are a testament to Cornell’s enduring legacy, coming from his peers who came up Soundgarden in the ’90s to newer artists he’s influenced. We’ve collected some of these responses below and will continue to add more as they come in.

If you, or someone you know, are in need of someone to talk to, please contact the National Suicide Prevention Lifeline at 1-800-273-TALK (8255). You are not alone.

Carrie Brownstein (Sleater-Kinney)


Chris Walla (Death Cab for Cutie)



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Review Revue: Scritti Politti – “Wood Beez” b/w “Absolute”

Scritti Politti Wood Beez Absolute

It’s time to add another band from the KEXP stacks to the long list of fascinating artists I should really become more familiar with – and would happily read a book about. Scritti Politti began 40 years ago in Leeds, and have been intermittently making music in various lineups ever since (with the most recent shows taking place just last month in Wales and Austria). A band with Marxist origins that opened for Gang of Four, had some moderate chart success in the ’80s, was covered by Miles Davis, and later collaborated with Mos Def? I must know more!

For now I’ll have to make do with the less-informative-than-usual ramblings of our 1984 KCMU friends – who really did seem to dig this single, for what it’s worth. Read More »

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Live Review: Laura Marling at Showbox at the Market 4/28/17

photos by Matthew B. Thompson

For many years, the mantle of “most consistently stellar artist” seemed to be squarely on the shoulders of Spoon, but there’s an argument for it to be moved over, if it hasn’t already shifted, to Laura Marling. Six very good-to-great albums that each built on its predecessor will do that, though. In a live setting, however, Marling has primarily switched between a four-piece and solo setup, often highlighting her songs rather than her performance. That’s certainly not a bad thing, because when you have a catalog as rich and surprisingly recent as Marling’s, you would want to show it off too. (This is to say nothing of her underrated guitar playing.) But for the first time, Marling’s tour feels like an effort to embrace the performative aspect of being a touring musician. She’s always been, and likely will always be, one of the premier British songwriters of her generation, but backed with her largest-ever touring band with more visual production than ever, Marling has moved into new territory as a performer.

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