As major labels continue to exist behind the times, artists and labels with little capital and lesser reputations are producing some of the most innovative, interesting, and inspiring music. Whether it’s creating a new niche in digital technology or looking to once obsolete formats, Agitated Atmosphere hopes to pull back the curtain on a wealth of sights and sound from luminaries such as CJ Boyd.
What compels CJ Boyd to put it all out there? His releases are an oceanic (his word) pool of emotion and observation that feels heavy with every listen. And yet, one does not feel bogged down with the weight of Atlas when listening. The balance between the material and the phantasmagorical is a nimble dance of dirge and mass.
Precariat furthers the trip down the flooded rabbit hole. An underwater world of regret and redemption in every lung full of precious air, gulped between swallows of salty sea. Though much of the mood is damp and the sound cavernous, there’s still a warmness flowing throughout. As dull a statement as it may seem, Boyd finds the positivity in isolation; the comfort in open space.
If there’s a definitive statement to be found about these conjectures, it’s “Fifth Story.” Boyd’s bass wandering like his own body, yet not lost in dark thoughts; the buzzing melody flashing a toothy grin as he scans the wild expanse before him. As a self-proclaimed nomad, the ability to capture the best from the worst is exemplified in his canon.
We’re told the lines are thin between negative and positive forces. Precariat surveys both from its tightly wound perch. An elegant balance on a minute rope.
Justin Spicer is a freelance editor and journalist whose work can be viewed at his website. You can also find him on Twitter.
Every Monday through Friday, we deliver a different song as part our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Today’s song, featured on The Midday Show with Cheryl Waters, is “Masten Lake Lagoon” by The Pharmacy from the 2014 album Spells on Old Flame Records.
It’s going to take a little practice, but you’ll be saying the name Ásgeir like a true Icelander soon enough. When we first introduced the young singer-songwriter to Seattle audiences two years ago, we knew his ethereal falsetto and captivating songs would appeal to KEXP listeners even if his songs were sung then completely in Icelandic. But when he revealed that he was working with American expat John Grant on English versions of his locally award winning and record breaking debut, Dýrð í dauðaþögn, his fate was sealed. The translated In the Silence, released earlier this year, has thrust him before larger and larger crowds. Two years after his first Seattle appearance, nearly to the day, Ásgeir returns like a king to Seattle, selling out his show at Columbia City Theater and already scheduled to come back in February to perform with Hozier at the Paramount. He returned also to KEXP, older, wiser and with a full band to share the glorious noise of In The Silence here:
Brooklyn indiepopsters The Pains of Being Pure At Heart share a new video today for the track “Kelly,” off their most recent release Days Of Abandon. Directed by Art Boonparn, the video reflects the warm, lovely light of the song itself. Jen Goma of A Sunny Day in Glasgow takes lead on vocals. Watch below: [Pitchfork]
Leave it to the musical pranksters at Shimmy Disc (ReviewRevueall-stars, to saythe least) to release a tribute compilation to a joke band. The Rutles (note the pronunciation lesson below) were a Beatles-mocking vehicle created in the ’70s by Monty Python’s Eric Idle and Neil Innes, which ended up having a longer career than the band they were a parody of, recording and touring off and on into the ’90s and reuniting for a 30th anniversary concert in 2008.
The Rutles did not spawn quite as many covers and tributes as the Beatles, of course - why, just this week we were treated to the Flaming Lips’ take onSgt. Pepper’s, much of which wouldn’t sound out of place on this LP. As far as I can tell this is the only Rutles tribute album out there, and might be the only tribute album to any fake band (e.g., there are lots of Spinal Tap tribute bands out there, but I couldn’t find a compilation in their honor – someone get on that!). The results are decidedly mixed, but with a lineup including Galaxie 500, Syd Straw, Unrest, Shonen Knife, King Missile, Paleface, and Bongwater, it’s a great slice of early ’90s rock, viewed through a very strange lens. Read More »
This Sunday, October 26th, KEXP will host its annual Halloween Kids Dance Party! This will be the harvest party of the year, hosted by John Richards and featuring KEXP DJs Darek Mazzone, DJ Chilly, Miss Ashley and DJ Shannon!
What’s special about this party? This year, we’ve expanded into two rooms! We’ll be taking over EMP Museum’s Level 3 and Sky Church, with plenty of room for family dancing! Crafts include an array of different and fun activities provided by The Adventure School to get you in that autumn mood!
• Make a bird feeder
• Ping pong toss
• Fishing activity
• Make an eyeball mask
• Face cut-outs for photo opportunities
• Face painting
We will also have pizza dough tossing with our sponsor Pagliacci Pizza, and, of course, our annual Halloween parade led by Grand Marshall DJ El Toro and the D20 Brass Band!
The party starts at 11:00 AM, with doors at 10:30 AM! Advanced tickets are on sale now at EMPMuseum.ORG.
Every Monday through Friday, we deliver a different song as part our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Today’s song, featured on The Midday Show with Cheryl Waters, is “Feel” by Ty Segall from the 2014 album Manipulator on Drag City.
I don’t know if there’s a UK producer on the scene who has had a bigger 2014 than Hudson Mohawke. The Glasgow native has been riding an unstoppable wave of momentum that hasn’t stopped since his collaboration with Lunice, TNGHT, put out their eponymous EP back in July of 2012. Since then, I don’t think there’s been a memorable DJ set played that hasn’t had at least an ounce of a TNGHT track or one of the subsequent Hudson Mohawke tracks. The group got the attention of one Kanye West, who featured the two on the Yeezus masterpiece “Blood On The Leaves”, and since then, Hudson Mohawke is more or less a household name in the realm of progressive electronic production. Leading up to the release of his first post-TNGHT solo EP, the man has devastated every building he’s been asked to DJ at. For evidence, you only have to look back a month to his excellent BBC1 set for Diplo & Friends or his Boiler Room x Ray Ban special event in LA, complete with a three minute introduction by Eric Wareheim. The latter features a live appearance from Busta Rhymes (26:30), a ravenous new remix of Kanye West’s “Monster” (48:00), and a point at which the power gives way completely. But apart from the hype, the cool factor, the light shows, and the crazy dance music culture, Hudson Mohawke is just a genius of a producer, and there’s no way to deny that, especially with his new EP Chimes. With a handful of new tracks no doubt the select offering of several dozen we’ve yet to feast on, Hudson Mohawke reminds us why he is at the top of the food chain right now, and does it in a way that makes you lose your mind.
Seattle’s own The Head and the Heart share a fantastical new video for the title track from their most recent release, Let’s Be Still, out now on Sub Pop Records. Director Jon Jon Augustavo says he turned to the children’s classic Mary Poppins for inspiration. Take a look below: [Stereogum]
Every Monday through Friday, we deliver a different song as part our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Today’s song, featured on The Midday Show with Cheryl Waters, is “All The Way Down” by French Style Furs from the 2014 album Is Exotic Bait on Frenchkiss Records.