Album Review: Lindstrøm – Six Cups of Rebel

Hans-Peter Lindstrøm has probably remixed a band you really like. Best Coast, Roxy Music, LCD Soundsystem, Bear In Heaven, Franz Ferdinand, Doves, and Glasser are among his victims. But other than 12″ b-sides and Deluxe Edition bonus tracks, not too many Americans are familiar with Lindstrøm’s work. Truth is, they are missing out.

Lindstrøm released his second full length album, Six Cups of Rebel, this past Tuesday. It’s the follow up to 2008′s Where You Go I Go Too. His first album was comprised of three very long songs, the first of which almost reaches the thirty minute mark. Among others, he helped pave the way for the nu disco influx. His tracks were unapologetically retro, but at the same time, held the timeless, cold, crisp production that Lindstrøm is known for. We see a lot of the same on Six Cups of Rebel, with a couple change-ups to keep things interesting.

This time, Lindstrøm dips into experimental electronica with “No Release” and “Hina” and even stretches out towards house with “De Javu” and “Call Me Anytime”. But the heart of the album is still stuck in disco. “Magik” and “Quiet Place to Live” are dance floor sing-alongs with thick, luscious synth layers and an disco bass beat under every note. Of course, the album sounds best if you listen to it straight through. After all, Lindstrøm makes plenty of singles to be singles, and when he does choose to make albums, they are meant to be played that way.

Six Cups of Rebel is a great dance record, and a fantastic edition to Lindstrøm’s already stellar discography. If you want it, try and find it at your local record store or at the Norwegian label’s site here (you’ll feel really cool buying it because the price is in Kroner!). Otherwise, it’s on iTunes, Amazon or at your local record shop.

Check out “Quiet Place to Live” from Six Cups of Rebel below:

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EMP’s Sound Off! preview

Responsible for showing the world The Globes, Brite Futures, The Lonely Forest, and many other KEXP favorites, EMP’s Sound Off! competition is a must know – especially if you live in the PNW. Now in its eleventh year, Sound Off! is an underage “battle of the bands” of sorts. Selecting some of the most promising music from the 21 and younger crowd from the PNW, 12 bands are judged on a set of live music at Seattle’s EMP. The 12 bands are split into three semi-final rounds where they compete for the finals. Each winner from the rounds and a wild-card band make up the finals set to take place on March third.

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Live Video: Washed Out

photos by Dave Lichterman

East Coast “chill wave” heroes Washed Out stopped by KEXP in October to play a fantastic in-studio to coincide with their show at the Neptune Theatre. Washed Out had a fantastic 2011, releasing the universally acclaimed LP Within and Without and expanding Ernest Greene’s laptop project to a full band setting. Greene isn’t letting the chill wave tag pigeonhole him by any means. With a full band, Washed Out sounds richer than ever in a live setting and does more justice to the emotional capacity of Greene’s songs.

If you haven’t given Washed Out a try, Within and Without is a great place to start. The album relies less on samples and loops than Greene’s past work and musically, and it’s an emotional roller coaster. If you are in to bands like Neon Indian, Toro y Moi, and Twin Sister, you might also want to check out the Life of Leisure and High Times EPs, where Greene got his start.

Watch Washed Out’s in-studio performance from last October right here. “Eyes Be Closed” and “You and I” are off of their LP release Within and Without, while “Feel It All Around” and “Hold Out” can be found on their EP release Life of Leisure. You might also recognize “Feel It All Around” as the theme song to Portlandia.

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Live Review: Los Campesinos! with Kithkin @ Neptune Theatre 2/3

photo by Jim Bennett

by Jonathan Hamilton

I remember when I was barely a teenager I thought that a mosh pit happened at every concert and that proper concert etiquette required anyone at the front of the stage to participate in said pit. Eventually, I went to enough shows to learn that moshing is only appropriate for certain types of music and certain types of crowds. The all ages crowd at the Neptune for last weekend’s Los Campesinos! show never learned these valuable mosh pit lessons, and it led to one high energy and hilarious good time. When the first notes of single “By Your Hand” opened the set, the front half of the crowd in front of the stage immediately turned into a circle pit for the entirety of the show. It didn’t matter how fast, slow, loud or soft Los Campesinos! played, the moshing continued.

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Agitated Atmosphere: Decimus – 4, 8, and 9

As major labels continue to exist behind the times, artists and labels with little capital and lesser reputations are producing some of the most innovative, interesting, and inspiring music. Whether it’s creating a new niche in digital technology or looking to once obsolete formats, Agitated Atmosphere hopes to pull back the curtain on a wealth of sights and sound from luminaries such as Decimus.

Private pressing are a marvelous occurrence; a brave endeavor that allows a musician to test their boundaries through a limited amount of media. So few are able to hear the transformation until such a time when the artist is ready to re-emerge in full bloom.

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Friday on My Mind: Best Love Songs for Your Junior High School Valentine’s Dance Circa 1982

It’s the Valentine’s Day edition of Friday on My Mind. The weekly collaborative effort between KEXP and King 5 News.

This Valentines Day give the person you love the gift of music. 1980’s music, because nothing says I love you more than the gift of synthesizers, angular hair, brightly colored pants, tucked in shirts, and of coarse xylophones. Do you realize how many 80’s bands had xylophones? Oh and white shoes. And the music videos seemed to have very little, if any, structure other than a small budget for a hair stylist and zero attention to one’s lip synching abilities. NOW visualize and imagine a Junior high Valentines Day Dance circa Feb 14th 1982… sweaty palms, tight headgear, and feathered hair. Today we think back some of the best songs from the year 1982 for your Valentines Day Dance and look at their videos, which seemed so much better then.

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Song of the Day: Kithkin – Ampersand

Every Monday through Friday, we deliver a different song as part our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Each and every Friday we offer songs by local artists. Today’s selection, featured on the Morning Show with John Richards, is “Ampersand” by Kithkin from their self-released EP Takers & Leavers.

Kithkin – Ampersand (MP3)

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Event Preview: Girl Walk

If you haven’t heard of the party-rocking mashup art-form known as Girl Talk, your life is about to change forever. Once a biomedical engineer, Philadelphia native Greg Gillis decided one day that he wanted to take songs and bash them together until they stuck. For over ten years, Gillis has been releasing music under the Girl Talk monicker. In 2006, with his release Night Ripper, Gillis moved away from the glitch-mash sound that he had been working with to try and create full-album sets of mashups that people could dance to. Taking top 40 hits from the past 40 years, Girl Talk made mashups that anyone could recognize pieces of, no matter what their musical preference was. Night Ripper was met with decent acclaim, but it was with his 2008 release Feed the Animals that Girl Talk caught fire. Gillis had perfected his live show, working manually triggered samples from his famously near-indestructible laptop. Girl Talk shows became a thing of wonder. His most recent release, 2010′s All Day, is the quintessential Girl Talk record. It’s an unadulterated 71 minute set of pure energy, and its available for free on his website.

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Review Revue: The Buck Pets – The Buck Pets

The Buck Pets, like so many “alternative” rock bands of the late ’80s and early ’90s, coulda been huge. The Dallas band had a major label behind them from the release of their debut album (this one), a rabid fanbase (there are still many people waxing nostalgic for this band 20 years after their demise), and even snooty college radio DJs loved their loud, dirty brand of rock – major label or no. They seem to have been the victims of bad timing, though; when their label was bought by Polygram, it appears they fell through the cracks of major label limbo and never quite recovered (I can’t even pull them up on Spotify, dang it all). But let us now remember and celebrate the Buck Pets!

But first a word of warning for our more sensitive readers: this discussion gets pretty intense at times, occasionally veering into more R-rated talk than usual (seriously, some of these comments would earn a red dot – not even fit for safe harbor airplay!). Read with caution.

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Thursday News Roundup

The Head and the Heart at Mellow Johnny's during SXSW 2011
photo by Jim Bennett

The Head and the Heart have a new music video out for “Down in the Valley”. The video features footage of the band on the road and playing at different venues. It’s a quite endearing video to a beautiful song. Watch it below:

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