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Live Around Town This Week

The National

Wednesday, September 8th

THE WALKMEN with The Helio Sequence @ the Showbox at the Market

When a band has been together and touring as long as The Walkmen have (since they were teens), it almost always means they’re amazing live. When being in sync, knowing what the other band members are going to do, and just playing a tight show in general comes as natural as breathing, it leaves the band free to rock out and entertain the crowd without reservation. Combine their experience with the fact that their forthcoming album Lisbon (set to be released next Tuesday the 14th), and in particular it’s first single “Angela Surf City“, sound more raw and energetic than the band has sounded in years, and Wednesday’s show at the Showbox should be incredible. The fact that The Helio Sequence will be opening makes it a can’t miss night of music for indie rock fans. (8 pm, $18 adv/$20 dos)

The Walkmen

TED LEO & THE PHARMACISTS with Past Lives @ The Vera Project

Indie rock mainstay Ted Leo and his Pharmacists released a new album in March called The Brutalist Bricks that sounds like more of the vaguely punk-y indie rock goodness we’ve been able to count on Ted Leo for over the course of the past decade. You’ll probably recognize the up-beat single “Even Heroes Have To Die” from the KEXP airwaves. Local band Past Lives, comprised of members of Blood Brothers, will be opening and might be worth the price of admission themselves ‒ they’ve just released their debut album Tapestry of Webs on Suicide Squeeze. (8:30, $13, all ages)

Thursday, September 9th

THE TALLEST MAN ON EARTH with S. Carey @ Neumos

Sweden’s The Tallest Man on Earth, aka Kristian Matsson, is by many accounts the closest thing contemporary music has to Bob Dylan, and considering Dylan’s lackluster and garbled performance at Bumbershoot on Saturday (sorry Bob), we might need The Tallest Man now more than ever. It is, of course, ridiculous to compare anyone to Bob Dylan, but Matsson is an acoustic-guitar-playing singer-songwriter with a distinctive voice, and that’s good enough for most people. He IS a great songwriter though, and his two albums Shallow Grave and this year’s The Wild Hunt have been extremely well-received and both feature really cool cover art. Anyway, if you’re craving a fresh shot of a Dylan-esque performer, go to this show. (8 pm, $15, 21+)

Friday, September 10th

MENOMENA with Say Hi and Suckers @ the Showbox at the Market

Clear your schedule Friday night ‒ Menomena is at the Showbox. The beloved Portland band released Mines, their first album in a few years in July, and by all accounts it’s absolutely amazing. You’ll surely recognize “Taos” from frequent KEXP airplay, and the rest of the album is full of the deliciously experimental indie rock Menomena have been so adept at producing since their 2003 debut I Am The Fun Blame Monster! . They recently played an in-studio at KEXP that only served to further wet appetites for their upcoming live show, and considering that this is the first show of a lengthy upcoming tour to support Mines, I can’t imagine anyone in attendance will be leaving disappointed, to say the least. Throw in the fact that Say Hi and Suckers, who both played great Concerts at the Mural (especially Suckers, in my opinion), and this is definitely a can’t miss night at the Showbox.

Menomena

Saturday, September 11th

THE NATIONAL with Okkervil River @ Marymoor Park

It’s been a big year for The National. They released High Violet to rave reviews, have been selling out shows all over the country, and played a packed show on the Main Stage at Sasquatch! that had people talking for days. Their melodramatic, expansive, and powerful indie rock, as well as singer Matt Berninger’s stage presence (he came down into the crowd during Sasquatch!), has turned The National from a underrated but critically-acclaimed indie band to one of the biggest arena acts in the country that can still call themselves indie. Considering the fact that Vampire Weekend cancelled at the last minute the other week, this could easily be the highlight of Marymoor’s summer concert series. We’ll just have to pray for friendly skies.

JJ GREY & MOFRO with Hot Buttered Rum @ the Showbox at the Market

From Jacksonville, Florida (not many bands from Florida, are there?), JJ Grey is a Southern bar rocker who looks like he just got back from fishing for trout. He has a swampy, Southern swagger that translates perfectly into any setting where alcohol will be served. And though Grey is from the South, his music is not country. Along with his longtime band Mofro, he plays contemporary bayou blues that sometimes sounds raucously funky, and sometimes sounds slower and sweeter, like it’s better suited for sweet tea than whiskey. His recently released album Georgia Warhorse, despite the name, might contain more of the latter variety of his music. But don’t get me wrong, Grey can still rock it, and it’s a good thing the Showbox has two bars.

JJ Grey

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Out This Week 9/7

Paul and Sam from Interpol stopped by the Morning Show with John Richards last Friday to talk about the new album — their fourth and self-titled — which is in stores today! Also, topping this week’s list of new releases is Portland trio The Thermals, who lit up the Music Lounge yesterday during KEXP’s broadcast from the Bumbershoot Music and Arts Festival, where they performed songs from their new album back to back. You get that album, Personal Life, for your very own today! Other new releases worth picking up include a new EP from Antony and the Johnsons, the 6th (they think) album by The Intelligence, the sophomore effort by Seattle’s lo-fi a/v-heads Truckasauras, the 5th full-length by Austin’s Sunset, and more! Check out Largehearted boy’s list for a complete lineup.

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Song of the Day: Clubfeet ‒ Edge of Extremes

Every Monday through Friday, we deliver a different song as part of our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Each and every Friday we offer songs by local artists. Today’s selection, featured on the Morning Show with John Richards, is “Edge of Extremes” by Clubfeet from the 2010 album Gold on Gold on Plant Music.

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Bumbershoot Music Lounge: The English Beat

photos by James Bailey

In reductivist short-hand, The English Beat are the Rolling Stones of second wave ska. Whereas colleagues The Specials could blend truly personal and compelling B&W movie lyrical vignettes with noir post-punk, the (English) Beat dug deeper into the bag of soul and funk for their seminal pre-reggae homages. Early on, they were just as tough in the anti-drug “Mirror In The Bathroom,” and on covers of great R&B songs like “Tears Of A Clown.” But soon the band could really mix it up, being the closest and earliest thing to multi-ethnic fusion the UK “new wave” scene had.

The English Beat are very underrated, but weren’t so by international fans and critics in the early 80s, even if many American listeners thought they were early MTV one-hit wonders with “Sooner Or Later” (a perfect pop song from a more ambitious third album Special Beat Service, from 1981). Though artistically capable of transcending their dole-punk 2 Tone origins by having Jamaican veteran sax player Saxa in the band, their way-ahead-of-the-curve “world beat” sophomore release “Wha’ppen?” mystified the pork-pie wearing yobs who adored the right tight skuffles from their debut (the ska collection-essential I Just Can’t Stop It). And Rankin’ Roger and Dave Wakeling were probably the most charming and charismatic front-men in 2 Tone, as many of the others came off scary and too-political.

Those glee club harmonies third wave ska bands nicked in the mid-90s? The more fluid textures of post-alternative groups in that period infusing the chugging rhythms with more improvisatory horns and power pop stylings? You can probably blame The English Beat for that. But their early work is as mod as The Specials, and the later full-screen experiments of their last two original LPs still sound hot, fresh, and ambitious even today.

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Bumbershoot Music Lounge: The Thermals

photos by James Bailey

The Thermals’ new album Personal Life is so accurately named you’ll almost find it hilarious if you’re a fan. It’s a relationship-song LP, a million miles away from the political rants-and-riffs of debut More Parts Per Million and the spiritual rants-and-rage of The Body, The Blood, The Machine. But it still shows the same passion and energy, and tricky mindfulness, that has appealed to fans of the Portland trio since earlier in the decade.

Jumping from Sub Pop to Kill Rock Stars just when they’ve laid down polished-up sounding power pop tracks like “Never Listen To Me” and “Not Like Any Other Feeling” and especially full length closer “You Changed My Life” (#1 on the pop charts in a perfect world) may seem perverse, but there’s no kink to loving their crisp new sound.

Hutch Harris and co. were smart enough to get Personal Life produced as professionally as possible, and yet the weird love-hate angst and surrender in the lyrics couldn’t be a more unique juxtaposition. Live, I would expect the same immense blitzkrieg that band always brings out, no matter how less “sonic reducer” on the new album they may seem. And The Thermals did not disappoint.

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Bumbershoot Music Lounge: Bomba Estereo

photos by James Bailey

Melodromatic, explosive ‒ the translation is “stereo bomb,”- Bomba Estereo takes a time old traditional musical form originally designated for courting rituals and turns it on its head. As a project organized by the group’s bassist and producer, Simon Mejia in 2005 soon recruited permanent members to execute the instrumental fusion of Cumbia, electronic, and reggae. They made dynamic addition to the group in vocalist Liliana Saumet, who threw in a flair of hip-hop and an unbelievable stage presence. They adopted several influences from the global music universe, and like the group’s name suggests, an explosion of sound took place.

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Bumbershoot Music Lounge: The Moondoggies

Photos by James Bailey

Hometown heroes, The Moondoggies have been running amok all over the Seattle area since their 2008 release, Don’t Be a Stranger, and even more so since their recently released EP You’ll Find No Answers Here, which came out in June 2010. They didn’t pop out of a cake overnight, and suddenly take the northwest by storm, but rather compounded interest over the years through a gamut of tours and hard, hard work, growing their low local profile into a nationally recognized act. Rootsy harmonies, and old-soul crooning from frontman Kevin Murphy, will rock your socks off with their live show. Otherworldly, but sonically refreshing to the the modern day listener. The lyrics are honest and personal, yet there is no overthinking in the music, there is beauty in simplicity, and that is probably why the genre of Americana is so solid. Their second full-length, Tidelands, is slated for release September 14th on Hardly Art

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Bumbershoot Music Lounge: Ra Ra Riot

photos by James Bailey

Syracuse, New York’s Ra Ra Riot are a musical force to be reckoned with. While still relatively young, the band has been together since 2006 and share similar story to a lot of younger bands who’ve met and formed in college. Fortunately for us, the band has kept it together. For a large band with a violin and a cello, they have amazing chemistry and energy on stage.

Fairly fresh off the heels of their amazing 2008 album The Rhumb Line, Ra Ra Riot have gotten polished and proper for their latest release The Orchard. Clearly, local label Barsuk and the cast of characters surrounding the band have been a positive influence as their music continues to progress. When you let Chris Walla (Death Cab for Cutie) and Rostam Batmanglij (Vampire Weekend) put their hand in the mix, good things are bound to happen. The Orchard puts Ra Ra Riot into a whole new category of indie rock.

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Monday News Mash-Up

photo by James Bailey

  • Bradford Cox is a busy man. Not only did he recently bring his solo outfit Atlas Sound to Seattle via Bumbershoot with a fantastic performance, he has found time with his principle band, Deerhunter, to unveil the new video for “Helicopters,” from the band’s Halcyon Digest. You can view the video here.

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Song of the Day: Dale Earnhardt Jr. Jr. ‒ Nothing But Our Love

Every Monday through Friday, we deliver a different song as part of our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Each and every Friday we offer songs by local artists. Today’s selection, featured on the Morning Show with John Richards, is “Nothing But Our Love” by Dale Earnhardt Jr. Jr. off their 2010 debut EP Horse Power on Quite Scientific Records.

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